Just a reminder that all of my confectionery work has been moved to it’s own blog. All my conserves, syrups, paste, persona and science experiments relating to confections can be found at http://sugarwricht.wordpress.com.
I have Charcot Marie Tooth (CMT), which I’ve had all my life. I have had a number of surgeries to stablize my feet, that make finding shoes difficult. I wear skateboard shoes pretty much all day, every day. Finding shoes for late period SCA is even harder. I’ve tried many different types of shoes, all with limited success. I am a reasonably good costumer, but often get comments on how my shoes detract from the over all appearance of my clothes. I am also a sword fighter. I need close toed shoes with reasonable arch support in order to fence on grass and uneven surfaces.
On the Elizabethan costuming FB group, someone posted a link for how to modify a pair of loafers into a period-esq latchet shoe. Loafers generally do not pass the CMT shoe flex test, so I needed something with a bit less flex. I modified a pair of black/black vans to simulate a latchet shoe. Rather than experiment on a new pair of shoes, I took a pair of Era that I had a hard time wearing on the list (don’t mind the pennsic that is still on the shoes). They are black with black soles and laces. Only equipment needed was a black sharpie, sharp fabric scissors and a little bit of fray check.
So far they don’t hurt and they will pass a 2-3 foot rule. I’m calling this a win as I can also fence in them. Now that I know they work, I can get the Atwood flavor of van and do the same treatment as these work best for my feet. And I will have time to break them in for the upcoming war/fence all the things season.
Original instructions on this site https://sites.google.com/site/stbrigidshearth/pennywisepeasantloafers?hc_location=ufi
24 hours and we went from fabric to finished. Dress was constructed of silk, lined with linen. Special thanks to everyone who worked on this with me Amy (mid), Holly (mid), Eleanor (Calontir), and Patresha (mid). This is our interpretation of what Snow White would have actually worn.
We started with silk from my business trip to Thailand. We had the option of doing wool, but thought the silk would be richer in color/sheen. We ended up using gold, blue, crimson and white. We had the option to go with brighter, crayola color pallet, but chose jewel tones.
We have a initial design for the Snow White dress. This dress maintains the base overall color scheme of the Disney movie, but keeps the design of the dress in line with mid 1500 Saxony. The red/blue/white slashing are poofs, but those tend to be more difficult to do 3d in a 2d program. The fleurs are a nod to my heraldry, drawn in Lower German/Florentine fashion.
Bodice/collar: Christiana Eulenau, Cranach, 1534 Germany
Saxon apron: Portrait of a Young Woman Holding Grapes and Apples, Cranach, 1528
Skirt: Duchess Katharina von Mecklenburg, Cranach
Sleeves: Sybille von Cleve. Cranach
On April 11-12 we will be invading the Midrealm’s Golden Seamstress event.Currently we are an inter-kingdom squad of Mid, East and Calontir. I have been obsessed with creating a period appropriate Snow White since I last went to Disney.
The goal is not to create a Disney dress in period, but to create a period dress in Disney colors. Or fix the hot mess that is Snow White.
The trick for this project is to reverse engineer the Disney version of Snow White, into period appropriate SCA clothing. If you look at Disney’s version, it is a hot mess of styles from mostly around Germany in the 16th century. The sleeves mid century, skirt and later 16th. But the thing that is odd is the two colors between bodice and skirt. Disney’s movie version is set somewhere in Bavaria, but she’s dressed in a dress that you would expect to see in Saxony.
Going back to the origins of the faerie tale as written by the Grimms, the story was told to them by 2 women in Kassel. And by the time of retelling of the folk story, it was already “old”. Kassel is located in the area we know now as Hesse and bordered Saxony.
Add in another wrinkle of Margaretha of Waldeck. There are scholars that believe there is a direct connection to Margaretha of Waldeck and the Snow White story. The time period would be correct, as she died in the mid 1500s. The geographical area would be correct. Waldeck was a sovereign principality in the German Empire and is comprised of territories in present-day Hesse and Lower Saxony. There is a scholastic presumption she was killed by poison, long illness that started when she was at court, long drawn out death in 1554. The earliest Grimm tale of Snow White, has her hair being blonde. There are accounts of the family owning copper mine, worked by small deformed children called dwarfs.
I’ve got books on the way for the historical accounts of the House o Waldeck. Hopefully the get here in time and that translating the German doesnt prove to be a really large rabbit hole of time.
So I have, time, location, motive and a bunch of circumstantial coincidences. 1550s, Saxony here we come. The good news, is I am really familiar with this time/location combo and I have a bunch of manuscripts to paw through.
I think we have a winner for portrait inspiration. Christiana Eulenau by Lucas Cranach the Elder, 1534 That collar line is nearly spot on. Now we just need to figure out how to make the standing collars for the bodice AND the hemd. The big guns suggest that the hemd is actually a gollar, which has decreased the level of difficulty exponentially. A gollar can be a little caplet, that is circular in nature and worn over the top of a dress. Or it can be like a square partlet. Modernly, we would call this a dicky.